Updated on 2023/12/26

写真a

 
OSUGI Hiroshi
 
Organization
Faculty of Humanities and Social Sciences Associate Professor
Position
Associate Professor
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Degree

  • Master(Literature) ( The University of Tokyo )

Research Interests

  • 独語・独文学

  • German Language and Literature

Research Areas

  • Humanities & Social Sciences / European literature

Education

  • The University of Tokyo    

    - 1988

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  • The University of Tokyo   人文科学研究科   独語独文学

    - 1988

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    Country: Japan

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  • Waseda University   文学部   独文学

    - 1985

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    Country: Japan

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  • Waseda University    

    - 1985

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Research History

  • - Associate Professor,Graduate School of Humanities and Social Sciences,Okayama University

    2004

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  • - 岡山大学社会文化科学研究科 准教授

    2004

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Professional Memberships

Committee Memberships

  • 日本独文学会中国四国支部   編集委員長  

    2018.11 - 2020.10   

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    Committee type:Academic society

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  • 日本独文学会中国四国支部   編集委員  

    2016.11 - 2018.10   

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  • 日本独文学会 中国四国支部学会   岡山地区幹事  

    2010   

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    Committee type:Academic society

    日本独文学会 中国四国支部学会

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  • ゲーテ自然科学の集い   京都研究会庶務  

    2010   

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    Committee type:Academic society

    ゲーテ自然科学の集い

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  • 日本独文学会 中国四国支部学会   岡山地区幹事  

    2009   

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    Committee type:Academic society

    日本独文学会 中国四国支部学会

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  • ゲーテ自然科学の集い   京都研究会庶務  

    2008 - 2010   

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    Committee type:Academic society

    ゲーテ自然科学の集い

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  • ゲーテ自然科学の集い   京都研究会庶務  

    2007 - 2010   

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    Committee type:Academic society

    ゲーテ自然科学の集い

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  • ゲーテ自然科学の集い   京都研究会庶務  

    2006   

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    Committee type:Academic society

    ゲーテ自然科学の集い

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  • 日本独文学会   京都研究会庶務  

    2005 - 2010   

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    Committee type:Academic society

    日本独文学会

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  • 日本独文学会   「ドイツ文学」 編集委員  

    2001 - 2003   

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    Committee type:Academic society

    日本独文学会

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  • ゲーテ自然科学の集い   京都研究会幹事補佐  

    1999   

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Papers

  • Zur „Grenze“ bei Goethe

    Hiroshi OHSUGI

    Journal of the Faculty of Letters Okayama University   ( 第75号 )   43 - 55   2022.12

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    Authorship:Lead author   Language:Japanese   Publishing type:Research paper (bulletin of university, research institution)  

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  • ゲーテにおける現象への眼差しについて

    大杉 洋

    岡山大学ヨーロッパ言語文化研究   ( 38 )   1 - 10   2019.3

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    Authorship:Lead author   Language:Japanese   Publishing type:Research paper (scientific journal)  

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  • ゲーテ『ファウスト』における Körper について Reviewed

    大杉 洋

    日本独文学会中国四国支部『ドイツ文学論集』   ( 50 )   5 - 15   2017.9

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    Authorship:Lead author   Language:Japanese   Publisher:日本独文学会中国四国支部  

    „Euch ist kein Maß und Ziel gesetzt" erklärt Mephistopheles Faust in der Szene „Studierzimmer" in Goethes „Faust I". Wenn man diese Aussage im Kontext der Szene liest, bedeutet sie, dass Faust sich auf der Erde Mephistos Zauberkraft ohne Einschränkung bedienen kann. Aber gilt Maßlosigkeit als Prinzip nur für Faust?In der Szene „Walpurgisnacht" in „Faust I" zweifelt ein Autor, „Wer mag wohl überhaupt jetzt eine Schrift / Von mäßig klugem Inhalt lesen!" „Mäßig" bedeutet hier „angemessen". Er klagt also hier, dass die Französische Revolution die bisherige Klassengesellschaft zerstört habe und danach alles in der Welt konfus geworden sei. Die Menschen haben das Interesse an „Maß", an Angemessenheit und Ordnung, verloren. Auch in den Szenen „Saal des Thrones" und „Lustgarten" im 1. Akt von „Faust II" geht es in zweifacher Weise um Maßlosigkeit. Faust sagt hier zum Kaiser, „Das Übermaß der Schätze, das, erstarrt, / In deinen Landen tief im Boden harrt, / Liegt ungenutzt." Schon schlug Mephisto auch vor, dass der Kaiser, da er übermäßig reich ist, viel Geld ausgeben soll. In der späteren Szene „Lustgarten" wird klar, dass die Wirtschaft sich günstig entwickelt hat und die Untertanen viel Lohn bekommen haben, um sich ihre Begierden zu erfüllen. Hier ist ganz deutlich dargestellt, dass die Geldwirtschaft Begierden der Menschen ohne Maß reizt. Dieses Motiv findet sich auch im 4. Akt von „Faust II". Ein weiteres Beispiel ist die Szene „Mitternacht" im 5. Akt von „Faust II". Dort sagt die „Sorge", die als Frau auftritt, „Die Menschen sind im ganzen Leben blind." Hier steht Blindheit, wie Maßlosigkeit, für die Orientierungslosigkeit der Menschen. Maßlosigkeit als Ausdruck einer erschütterten Weltordnung ist ein Grundgedanke, der sich konsequent durch das Drama zieht.Bereits im „Prolog im Himmel" sagt Mephisto, dass der Mensch das Himmelslicht, das Gott ihm gegeben hat, „Vernunft" nennt, und „braucht's allein, / Nur tierischer als jedes Tier zu sein." Diese Aussage weist schon zu Beginn des Dramas darauf hin, dass der Mensch im Konflikt zwischen Vernunft und Trieb sein rechtes Maß nicht findet. Die auf „Maß" bezogenen Textstellen zeigen also, dass nicht nur Faust maßlos seinen Wünschen nachgehen kann, sondern dass die Menschen in der damaligen Zeit in allen Lebensbereichen unter großen Veränderungen standen. Sie lebten schwankendwandernd auf der Suche nach neuen Maßen und neuen Lebensweisen.

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    Other Link: http://ir.lib.hiroshima-u.ac.jp/00044137

  • "Maß" in Goethe's "Faust" Reviewed

    Hiroshi Ohsugi

    Doitsu Bungaku Ronshu   ( 48 )   5 - 15   2015

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  • 言葉は時空を超えて―ゲーテ『西東詩集』より―

    大杉

    岡山大学文学部プロジェクト研究報告集「文化の交流、文化の翻訳」   17 - 33   2014

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  • The Encounter of Water and Light

    Hiroshi Ohsugi

    Jopurnal of the Faculty of Letters Okayama University   ( 60 )   87 - 96   2013

  • The Sleep in Goethe's "Faust"

    Hiroshi Ohsugi

    Jourenal of the Faculty of Letters Okayama University   ( 56 )   69 - 76   2011

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  • 書評「大槻裕子:ゲーテとスピノザ主義」 Reviewed

    大杉 洋

    ドイツ文学論攷   ( 49 )   85 - 87   2007

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    Authorship:Lead author   Language:Japanese   Publisher:阪神ドイツ文学会  

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  • Nebel, Wolke, und Schleier. Das Motiv der "Huelle" in Goethes "Faust II". Reviewed

    Hiroshi OHSUGI

    GOETHE-JAHRBUCH   49   39 - 54   2007

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  • Goethe und Amerika. Goethes Amerikabild im Spiegel seiner naturwissenschaftlichen Schriften. Reviewed

    Hiroshi OHSUGI

    Neue Beitraege zur Germanistik   5 ( 1 )   144 - 167   2006

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  • ゲーテ『ファウスト』における「遠」と「近」 Reviewed

    大杉 洋

    ドイツ文学論攷   ( 47 )   63 - 82   2005

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  • 霧、雲、そしてヴェール――ゲーテ『ファウスト』第二部における「覆い」―― Reviewed

    大杉 洋

    モルフォロギア   2002 ( 24 )   93 - 107   2002

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    Authorship:Lead author   Language:Japanese   Publisher:JAPANISCHER VEREIN FUER GOETHES NATURWISSENSCHAFT  

    DOI: 10.11460/morpho1979.2002.93

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  • ゲーテの『ノヴェレ』試論――自然と人間――

    大杉 洋

    山田広明教授古稀記念論文集   23 - 31   2000

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  • 外観と存在――『ヴィルヘルム・マイスターの遍歴時代』における服装描写―― Reviewed

    大杉 洋

    ゲーテ年鑑   41   139 - 156   1999

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  • 『ヴィルヘルム・マイスターの修業時代』における服装描写試論――両性具有あるいはアマツォーネ―― Reviewed

    大杉 洋

    日本独文学会中国四国支部『ドイツ文学論集』   ( 31 )   53 - 63   1998

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    Authorship:Lead author   Language:Japanese   Publisher:同学社  

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Books

  • 日本の現代作家12人の横顔――桃の実のエロス――

    鳥影社  2008 

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  • ミヒャエル・ヴェッツェル「コーレとコーラ――生成を受け入れる場としての「幼妻」ミニヨン」

    『モルフォロギア』第27号、ゲーテ自然科学の集い、ナカニシヤ出版  2005 

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  • 1800年頃の朗読術――ゲーテの「俳優のための規則」を参考に――

    『モルフォロギア』第21号、ゲーテ自然科学の集い、ナカニシヤ出版  1999 

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MISC

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Presentations

  • ゲーテにおけるGrenzeについて

    大杉 洋

    日本独文学会中国四国支部研究発表会  2021.10.30 

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    Language:Japanese   Presentation type:Oral presentation (general)  

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  • ゲーテにおける現象への眼差しについて

    大杉 洋

    岡山大学文学部ヨーロッパ言語文化研究会  2018.6.30 

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  • ファウストの復活をめぐって

    大杉 洋

    岡山大学文学部ヨーロッパ言語文化研究会  2016.7.2 

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    Language:Japanese   Presentation type:Oral presentation (general)  

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  • 詩と音楽をめぐって――ゲーテとベートーヴェン――

    大杉 洋

    岡山大学文学部、プロジェクト研究「1770年生まれの思想家・文学者・芸術家をめぐるヨーロッパ地域文化研究」  2016.5.13 

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  • 『エグモント』をめぐって――ゲーテとベートーヴェン――

    大杉 洋

    岡山大学文学部、プロジェクト研究「1770年生まれの思想家・文学者・芸術家をめぐるヨーロッパ地域文化研究」  2015.3.27 

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  • ゲーテにおける Maß について

    大杉 洋

    日本独文学会中国四国支部研究発表会  2014.11.15 

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  • マリアンネとズライカ――ゲーテ『西東詩集』、「ズライカの書」より

    大杉 洋

    岡山大学文学部、プロジェクト研究「文化受容と翻訳の諸問題」研究発表会  2013.4.5 

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  • ゲーテ『西東詩集』における文化受容と翻訳について

    大杉 洋

    1.ゲーテ『西東詩集』における文化受容と翻訳について、2010年7月29日、岡山大学文学部独文演習室、プロジェクト研究「文化受容と翻訳の諸問題」研究発表会  2010.7.29 

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  • ゲーテの『タッソー』について

    ゲーテ自然科学の集い、京都月例会  2007 

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  • Goethe und Amerika

    第47回ドイツ文化ゼミナール  2005 

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  • ゲーテとアメリカ

    ゲーテ自然科学の集い、京都月例会。  2005 

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  • ゲーテ『ファウスト』における「遠」と「近」

    阪神ドイツ文学会第187回研究発表会  2004 

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  • 「ペルクセンのゲーテ自然科学言語研究」

    ゲーテ自然科学の集い京都月例会  2003 

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  • 霧、雲、そしてヴェール――ゲーテ『ファウスト』における「覆い」――

    日本独文学会春季研究発表会  2002 

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  • Die Huelle bei Goethe.

    ゲーテ自然科学の集い京都月例会  2001 

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  • 「『ファウスト』文献2点」――ゲーテ生誕250周年の出版から

    ゲーテ自然科学の集い京都月例会  2000 

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  • 「ゲーテ生誕250年特集記事より」

    ゲーテ自然科学の集い京都月例会  2000 

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  • 『ヴィルヘルム・マイスターの遍歴時代』における服装描写について

    大杉 洋

    日本独文学会秋季研究発表会  1998.10.17 

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  • 「Schein と Sein――『50歳の男』を中心に」

    大杉 洋

    ゲーテ自然科学の集い京都月例会  1998.9.12 

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  • 『ヴィルヘルム・マイスターの修業時代』における服装描写について

    大杉 洋

    日本独文学会中国四国支部研究発表会  1997.11.1 

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Class subject in charge

  • Beginning German II-1 (Intensive) (2023academic year) Third semester  - 月5~6,木1~2

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  • Beginning German II-2 (Intensive) (2020academic year) Fourth semester  - 月5,月6,木1,木2

  • Beginning German I-1 (Intensive) (2020academic year) 1st semester  - 月5,月6,木1,木2

  • Beginning German I-2 (Intensive) (2020academic year) Second semester  - 月5,月6,木1,木2

  • Beginning German I-1 (Intensive) (2020academic year) 1st semester  - 月5,月6,木1,木2

  • Beginning German I-2 (Intensive) (2020academic year) Second semester  - 月5,月6,木1,木2

  • Beginning German II-1 (Intensive) (2020academic year) Third semester  - 月5,月6,木1,木2

  • Beginning German II-2 (Intensive) (2020academic year) Fourth semester  - 月5,月6,木1,木2

  • German international test research 1 (2020academic year) Late  - 月4

  • Seminar in German Language 1 (2020academic year) 1st and 2nd semester  - 金1,金2

  • Seminar in German Language 1a (2020academic year) 1st semester  - 金1,金2

  • Seminar in German Language 1b (2020academic year) Second semester  - 金1,金2

  • Topics in Humanities (2020academic year) 1st semester  - 火7

  • Introductory Seminar in Humanities (2020academic year) Third semester  - 水2

  • Introduction to German Language and Culture a (2020academic year) 1st semester  - 水1,水2

  • Introduction to German Language and Culture b (2020academic year) Second semester  - 水1,水2

  • Lecture on German Language and Culture a (2020academic year) Third semester  - 金5,金6

  • Lecture on German Language and Culture b (2020academic year) Fourth semester  - 金5,金6

  • Seminar in German Language and Culture a (2020academic year) Third semester  - 木5,木6

  • Seminar in German Language and Culture b (2020academic year) Fourth semester  - 木5,木6

  • Research in Literature and Culture (2020academic year) 3rd and 4th semester  - 火5,火6

  • Research in Literature and Culture (2020academic year) 3rd and 4th semester  - 金7,金8

  • Reseach Seminar in German Language and Culture (2020academic year) 1st semester  - 火5,火6

  • Reseach Seminar in German Language and Culture (2020academic year) Fourth semester  - 金7,金8

  • Reseach Seminar in German Language and Culture (2020academic year) Fourth semester  - 火5,火6

  • Reseach Seminar in German Language and Culture (2020academic year) Third semester  - 金7,金8

  • Reseach Seminar in German Language and Culture (2020academic year) Third semester  - 火5,火6

  • Reseach Seminar in German Language and Culture (2020academic year) Second semester  - 木5,木6

  • Reseach Seminar in German Language and Culture (2020academic year) Second semester  - 火5,火6

  • Reseach Seminar in German Language and Culture (2020academic year) 1st semester  - 木5,木6

  • Modern German Language and Culture (2020academic year) special  - その他

  • Seminar on Modern German Language and Culture 1 (2020academic year) Late  - 金2

  • Seminar on Modern German Language and Culture 1 (2020academic year) special  - その他

  • Seminar on Modern German Language and Culture 2 (2020academic year) special  - その他

  • Modern German Language and Culture 1 (2020academic year) Prophase  - 金2

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